Making them live with a pencil

Author: Virgil Vallecas

Did you know that one of the most famous stars of the movie is not even human? However, it is the star of over a hundred Many Hollywood films and television programs. Who is this film star? Hes called Topolino in Italian, Chinese, Mi Lao Shu, in Spanish, El Rata ³ n Miguelito in English, which is simply Mickey Mouse.

How is life? He began his career at the Walt Disney film, Steamboat Willie in 1928 brothers and became the most famous cartoons of all time. Of course, many other cartoon characters have achieved world-famous Tom and Jerry, Yogi Bear and the Pink Panther, to name a few. Please note that these artists and cartoon characters are called facilitators. To learn how, animator Bill Kroyer on Hollywood California, to tell one ..

Why are they called animated films and cartoons?

Because the word means to life. And that we do. We can do something and, hopefully, appear to have life. When I worked at the Disney studio, which hosted the majority of people and animals speak. But Ive also done the dance of the engines of cars and television voice of fruit and vegetables for health films. You name, we can move.

What makes a cartoon character seem to move?

The illusion of movement is possible because the same phenomenon that live action movies seem to move. When viewing a movie, you're really a 24, seeing the images flash before your eyes every second. The light sensors in the eye of each image for a brief moment, so all the images seem to merge into a harmonious whole, continuous image. Animation, ask each one of these 24a photographs.

That's a lot of pictures!

Yes, just for a minute of the film of 1440.

But this rate, a film like Snow White and the Seven Dwarfs, which would take more than a million designs!

No, the figure is closer to two million euros.

Why?

Never again to see the pictures because theyre made in the planning stage and only a fraction is used in the final version. In a film cartoons in the history of writing is not your route. A team of artists to hundreds of small sketches that are targeted at large cork boards, called scripts. Then describes the small notes of the action or dialogue in each scene. Continue to attract artists and review these sketches until the story is over. When artists have done, the script tells the story of the film image as a comic giant.

And then begin to animate the characters?

Yet no. First a team of artists designing the look of the film, according to a particular style. Sometimes we want the film resembles the old Europe, in Disneys Pinocchio. At other times to get a modern look. Therefore, the research design and define the characters, costumes, buildings, etc., will be in the film. So, our Director of the model divided into scenes. Each scene is a diagram showing the context in which the scene takes place and where the characters are at the scene. And thats where they come into play

So the first thing you do when you start a scene?

Study of the scenes of the exposure sheet. Here is a table that shows me the duration of the scene, and all sound effects, music and words are produced.

You mean that the sound track of the film has already been registered before you start drawing?

Of course. In this way, I know beforehand what the product is sound in every frame of the film. If the character ouch 15thÂ said by my scene, I'm with a large open mouth in such a framework. This is how the characters are talking about.

What plot? Pen, pencil, brush?

I use a soft pencil, it is easy to edit and delete things. And based on a paper type of animation paper. It has holes along the edge and even lower in the pins on my drawing board. Pins to hold paper continues to enroll in a drawing to another. Another unusual thing in my desk, which has a hole in it! The hole is covered by a piece of glass with a light underneath. As I learned that I can stack more drawings in a transparent and see through them, to ensure that work well together. When I started designing, I am just drawing the basic shapes of nature. In this way, they can work quickly, without detail, and even display the movement I want.

Would you throw all your rough drawings?

Well, I must say, I almost never remove all the pictures in a scene. I would too long. The facilitator usually attracts the most planes in a scene. Ignition are called the extremes. Present the main installation or nature throughout the scene. These large drawings Ojea my fingers, I can see how the traffic. Then my assistant will be between the pictures.

The speed with which the character moves depending on the number of drawings are among the ends. For example, draw a head in May to face the left and head right to another. If I get ten drawings the character to turn the head slowly from left to right, as if watching someone walk hes. If I did a drawing between the two extremes is head quickly from left to right, looking as if hes a car whiz by.

But how do you know how many intermediate designs to use?

It takes practice and study. Leaders are always looking at the world around them, observing how things move. Do you know how many pictures it takes to make one blink? Or, did you know a normal foot is one of the hardest things to animate? If you look, youll see before the fall harvest cycle and the balance of your account. And no two people are exactly equal footing. Theres a big difference between the way a dog walks, cat walks, and rides an elephant.

What happens when Youve finished pencil drawings?

I film. This black and white film is a pen. I watch this film and more, searching for ways to improve the action and timetable. Then, correct the bad my drawings and make another pencil test. This evil as necessary for the scene as perfect as possible. We said in a trade: Your scenes are always in the movie, for now. For the last test of pencil roughs my assistant and I clean up our beautiful, clean and drawings detailed pencil. But it is a shame youll never see.

Never see them? Why not?

Why go through a process called Inka and painting. Each design is drawn with ink on a sheet of acetate, called cell, and then painted with a paint that sticks to acetate. Remember that the employer had for each scene? This design is made in a color of paint. Then pull each cell in the bottom painting and photograph it. Cells because we have no to paint the entire scene and every frame of the movie that the game is moving.

Is that all animated films made this way?

Oh, no, there are many different techniques. Canada in the film, the artists have made films in small designs right on the same movie! Several the best studies in London, England, learned to prefer CELS right instead of paper. In this way, the original design was photographed. And there are many films that do not are completely design.

Drawing not to all?

That's right. Its called stop motion animation. Artists can manipulate puppets, figures clay, sand sculpture and even photography of these objects one frame at a time. When the film is produced at normal speed, the objects seem to move and come to life! I recently worked on a Walt Disney film in which we have all the computer animation. Drawings do not simply describe the pictures to the computer and computer does the rest!

What future for entertainment?

There will be more technological advances such as computer-assisted and Inka painting. But there will always be leaders in bringing to a certain style of Disney. Only man has the ability to create a delicate design of subtle expressions that you cree that the character is real. If I never see my picture, you see a character, someone who laughs and cries, and that you care about. When Bambi's mother dies in the movie Bambi, the public does not cry for a drawing, but a real character.

Theres a time when every leader is in his pencil test for the first time, and saw this little cartoon character on the screen staring at him, a character who was a few days before scribbling on paper. So when this little person open your mouth and speak, I say, thats a while! What does the useful work. Youve given life with a pencil.

However, they remain in the left issues raised in our first article. Does the happiness that is driven by fantasy and the fun of it? Or is happiness? Is it going to be a reality for all mankind? Roy Brewer, a technician from Disney, was a satisfactory answer to these questions. His story follows.

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